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Agenda 02-03-2026; 8-i - National Register Recommendation for Moorefields
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Agenda 02-03-2026; 8-i - National Register Recommendation for Moorefields
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2/3/2026
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8-i
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51 <br /> United States Department of the Interior <br /> National Park Service/National Register of Historic Places Registration Form <br /> NPS Form 10-900 OMB Control No.1024-0018 <br /> Moorefields (Additional Documentation) Orange County, N.C. <br /> Name of Property County and State <br /> sweeping view of the north park"—a picturesque, woodlands ramble that Draper-Savage created <br /> as a counterpoint to his formal, axial gardens—unencumbered and its flower beds neatly arranged <br /> with "pink floribunda roses, tiny English box, and clipped cedars."157 The X-shaped patterns <br /> visible in the 1963 newspaper clipping are not visible in this photograph, taken two years later. <br /> Furthermore, by 1968 the North Parterre Garden had been drastically reimagined again: by then, <br /> it was enclosed by tall privet hedges and was minimalist in design, mostly a greensward marked <br /> by a central statue of a Japanese pagoda (see Figure 12). This minimal form was still visible in a <br /> 1972 aerial photograph, which depicted a long, rectangular landscape feature bounded by <br /> shrubbery. Presumably, as Draper-Savage aged, he could no longer maintain the gardens as they <br /> had appeared at their heights in the early 1960s, and he reverted them to basic layouts and planting <br /> plans. Today, the North Parterre Garden appears much as it had at the end of Draper-Savage's <br /> tenure. Three pebble walkways north of the house terminate at a small, rectangular rubble terrace <br /> which steps down into the garden. At the center of the terrace is a patch of grass with a wooden <br /> bench(its back designed in a Chinese lattice pattern similar to that found in the house's stairwell) <br /> oriented north. Flanking the terrace are small, rectangular hedge greenswards; shaped hedges and <br /> flower beds also frame the terrace. To the north is the formal garden's primary feature, a flat <br /> greensward edged by shaped privet hedges. The hedges have openings in the center points of all <br /> four sides. Remnants of a longitudinal walk are visible on the grassy plane. At the center is a <br /> circular planting bed outlined in rubble stones. The planting bed includes small topiary and a <br /> birdbath. <br /> The last of Draper-Savage's garden spaces was the Cedar of Lebanon Allee, created northwest of <br /> the house and adjacent to and west of the North Parterre Garden between 1964 and 1972.158 <br /> Moorefields lore is that Draper Savage laid out a string grid and allowed the birds who alighted <br /> there to volunteer trees for him from their droppings, from which he culled a grid; but this fanciful <br /> anecdote is belied by the regularity of the double all6e (i.e., four rows) and the consistency of tree <br /> species. While some of the cedars have been felled or culled over the succeeding years, there are <br /> approximately 12 cedars in each row, spaced approximately 6 feet apart on the vertical (north- <br /> south) axis and approximately 10-12 feet apart on the horizontal (east-west) axis. The all6e runs <br /> in a straight line to the natural copse beyond the North Parterre Garden.159 The all6e, therefore, <br /> was a formal feature tying Draper-Savage's formally designed hedge-garden spaces with more <br /> naturalistic ones. At the same time, Draper-Savage planted single and double rows of privet <br /> hedges, which he manicured to appear as boxwood. These rows further define the north yard, <br /> which by the end of his lifetime held the barn-cum-studio, the all6e, the North Parterre Garden, <br /> and lawn. <br /> In the 1970s, Draper-Savage transformed the southwest quadrant in the West Parterre Garden into <br /> a small burial ground [31OR816]. This quarter of the garden contains his own gravesite (circa 15 <br /> February 1978), the burial of his nephew, James Henry Durham (20 November 1914 —27 March <br /> 1975), and the grave markers of five of his cats. Although Draper-Savage's uses of the gardens <br /> may have changed over time—from showy flower gardens open to the public to private <br /> gravesites—and although his various planting plans changed several times in Draper-Savage's <br /> own lifetime and since,the bones of this parterre gardens remain. The pea-pebble walks,tree all6e, <br /> and the privet hedges that defined the garden rooms remain to the west and north of the house <br /> Section 8 page 49 <br />
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