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Agenda 02-03-2026; 8-i - National Register Recommendation for Moorefields
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Agenda 02-03-2026; 8-i - National Register Recommendation for Moorefields
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2/3/2026
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8-i
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48 <br /> United States Department of the Interior <br /> National Park Service/National Register of Historic Places Registration Form <br /> NPS Form 10-900 OMB Control No.1024-0018 <br /> Moorefields (Additional Documentation) Orange County, N.C. <br /> Name of Property County and State <br /> the center of a garden room or at the termination of a long vista.143 The greenhouse gardens of <br /> Reynolda, the home of Richard Joshua and Katharine Smith Reynolds in Winston-Salem, North <br /> Carolina, are an example of this landscape architectural style in the Piedmont. Landscape architect <br /> Thomas Sears created the four-acre gardens from 1915 to 1924. The sunken greenhouse garden <br /> comprised four adjacent parterre gardens, geometrically arranged in a cross plan. The parterre <br /> gardens were largely planted with roses and perennials and lined with shaped conifers and single <br /> all6es. A small brick-and-flagstone plaza was built with a small water feature directly across from <br /> the greenhouse, terminating the vista across a broad greensward.144 <br /> Contemporaneous with the Beaux-Arts style in landscape architecture was the Colonial Revival. <br /> Following the 1876 Centennial Exhibition and the 1893 Columbian Exposition, the nation <br /> experienced a new fascination with America's colonial history that also "sparked an interest in <br /> early American landscapes."145 The popularity and widespread adoption of the Colonial Revival <br /> style in landscape design owes much to Arthur A. Shurcliff, who served as the chief landscape <br /> architect supervising the restoration and recreation of Williamsburg,Virginia's colonial town plan <br /> between 1928 and 1941. Shurcliff s designs for formal gardens within Colonial Williamsburg were <br /> inspired by the Anglo-Dutch gardens typical of the 17th and 18th centuries, but as revivals, <br /> Shurcliff s gardens were more formal and embellished than the originals. Shurcliff employed a <br /> palette of evergreen shrubs—especially-boxwood—to define spaces rectilinearly and <br /> symmetrically.146 Not dissimilar from the Beaux-Arts style,the Colonial Revival in garden design <br /> manifested as "compact, well-ordered, symmetrical gardens of perennial plants, herbs, and <br /> flowering trees...located in close proximity to homes [that blended] formal elements including <br /> parterres, all6es, and cruciform plans with informal kitchen gardens."147 Geometric planting beds, <br /> often enclosed by low walls, and axial pathways are also hallmarks of the style, as are flowering <br /> shrubs or canopy trees used to frame views. Colonial Revival gardens commonly feature clipped <br /> boxwood hedges and decorative objects, such as sundials, arbors, pergolas, and fountains, many <br /> of which are built of rusticated materials.148 <br /> Press coverage of Colonial Williamsburg was broad: "Academic publications and popular <br /> magazines featured Colonial Williamsburg's gardens and influenced gardeners and landscape <br /> designers across the country, despite the inaccuracies of the restoration and the tendency of the <br /> supervising landscape architects to create idealized versions of the past. ,149 In 1953, the Garden <br /> Club of North Carolina undertook similar garden designs on Roanoke Island, where the United <br /> States' first Anglo-European colonizers settled in 1584,otherwise known as the Lost Colony.What <br /> began as an imagining of what 16ffi-century colonists would have planted had the colony survived <br /> morphed into an elaborate memorial, a garden much more intricate, formal, and embellished than <br /> any lost colonist would have had. Richard Webel of Innocenti & Webel designed the ten-acre <br /> Elizabethan Gardens in Manteo in 1954. Formulated as sequential spaces in an ordered spatial <br /> hierarchy that ranges from naturalistic to formal designs,the main parterre garden room is enclosed <br /> by clipped hedges and bordered by a pebbled walkway. Perpendicular pebbled walks meet in a <br /> rond-pont, at the center of which is a large circular fountain. The four, chamfered greenswards <br /> formed by the intersecting walks feature shaped flower beds creating a flowered pattern, formed <br /> by low-lying, clipped hedges. The garden was planted with flowering shrubs as well as perennial <br /> flowers, all surrounded by large canopy trees.151 <br /> Section 8 page 46 <br />
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