Orange County NC Website
50 <br /> United States Department of the Interior <br /> National Park Service/National Register of Historic Places Registration Form <br /> NPS Form 10-900 OMB Control No.1024-0018 <br /> Moorefields (Additional Documentation) Orange County, N.C. <br /> Name of Property County and State <br /> side (west) elevation (see Figure 1). The structure of the garden is not unlike Henderson's Herb <br /> Garden (1938) or the parterre room within the Elizabethan Gardens (1954). Draper-Savage's <br /> rectangular garden was defined by four broad, axial, and orthogonally-laid pea-pebble walks. Its <br /> cruciform plan was created by two intersecting pebble walks meeting in a centralized rond-pont. <br /> The four quadrants were occupied by rectangular greenswards, while two narrow planting strips <br /> edged the garden on the northern and western ends. By 1955, the northeastern greensward was <br /> planted and bordered by small, shaped conifers while the southwestern greensward held a bust <br /> (one of his own sculptures)atop a wooden pole;the other three greenswards were still merely open <br /> lawn shaded by mature canopy trees. Historic Photographs show that Draper-Savage continued to <br /> build upon and embellish his gardens over time. By 1963,the West Parterre Garden's greenswards <br /> were crisply-edged and defined by grass borders. The rectangular planting beds within featured <br /> evergreen topiary at the corners; groundcover or ornamental flora in the center; and manicured <br /> shrubbery. Draper-Savage adorned the garden with more statuary, including another bust, a <br /> concrete pagoda on a pedestal, and a concrete birdbath(see Figure 9). <br /> How Draper-Savage placed and framed his gardens also informed how he altered the Moorefields <br /> house, or vice-versa. Between 1958 and 1968,Draper-Savage removed the exterior stairs from and <br /> enclosed the south porch, meaning its only access was from the house interior. Such an act made <br /> the porch a viewing platform of the south lawn. Historic aerial photographs from 1955, 1960, and <br /> 1964 show that Draper-Savage first extended the West Parterre Garden's pebble-walk grid to the <br /> south then to the southeast--directly in front of the house's south fagade within the curtilage <br /> circumscribed by Moorefields' looped drive. These pebble walks, however, had been removed <br /> from the landscape and the south lawn returned to its present naturalistic appearance by 1982. The <br /> Kitchen (East) Garden Terrace, however, remains. Between 1949 and 1968, Draper-Savage built <br /> an elevated terrace on the east side of the house that was accessed from a side door at the northern <br /> end of the house's side (east) elevation (see Figures 3, 4, and 10). The packed-earth terrace is <br /> defined on the west and east sides by a low rubble-stone wall. On the south end are three shallow, <br /> rubble steps that bleed into the gravel driveway. In period photographs, Draper-Savage had <br /> adorned the terrace with circular concrete planters as well as another concrete pagoda statue. To <br /> the east of the terrace, Draper-Savage had what he called the"kitchen garden."Today,the kitchen <br /> garden is a small, rectangular patch delineated by irregular, coarse rubble stones set into the earth, <br /> but it dates to 1982. <br /> Historic aerials show that the North Parterre Garden—the largest of the garden rooms—was in <br /> rudimentary form in 1960. Draper-Savage had built the small rubble-stone terrace by then had <br /> defined the garden room as a large,rectangular space defined by low-lying planting beds. By 1963, <br /> when Draper-Savage opened Moorefields to the public for an annual garden tour known as the <br /> "Spring Pilgrimage," he had completed the North Parterre Garden. A photograph of the garden <br /> accompanying the notice in The News of Orange County shows a long, broad, axial walk flanked <br /> by narrower, intersecting walks forming a series of X-shaped patterns."' However, other historic <br /> photographs show that Draper-Savage was constantly changing elements in the garden design: <br /> while photographs taken in 1962 show low, rubble-stone walls around the north parterre garden's <br /> rubble-stone terrace, by 1965 these had been replaced by medium-height, clipped hedges (see <br /> Figure 11). The same 1965 photograph shows the North Parterre Garden as open, with "its long <br /> Section 8 page 48 <br />