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Agenda 02-03-2026; 8-i - National Register Recommendation for Moorefields
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Agenda 02-03-2026; 8-i - National Register Recommendation for Moorefields
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Agenda for February 3, 2026 BOCC Meeting
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44 <br /> United States Department of the Interior <br /> National Park Service/National Register of Historic Places Registration Form <br /> NPS Form 10-900 OMB Control No.1024-0018 <br /> Moorefields (Additional Documentation) Orange County, N.C. <br /> Name of Property County and State <br /> porticos on the central volume. Scholars have conjectured that this common tripartite massing is a <br /> vernacular deviation of the Randolph Semple House in Williamsburg.129 <br /> Another example of the tripartite form is the Crabtree Jones House [WA0025], built in 1795 in <br /> Wake County. Unlike the aforementioned tripartite houses, the Crabtree Jones House does not <br /> feature a front-gable roof/pedimented attic on the main volume. With its side-gable roofs on all <br /> three volumes,the Crabtree Jones House is the most similar in exterior appearance to Moorefields. <br /> Its differences lie in its size and configuration: the Crabtree Jones House is five bays wide, <br /> compared to Moorefields' three-bay facade, and the Crabtree Jones House is a hall-parlor plan <br /> with a centralized entrance, creating symmetrical fenestration.130 <br /> The house that has most in common—in terms of form and detail—with Moorefields is Sans Souci <br /> [OR0020] in Orange County. Built by William Cain, the owner of Hardscrabble, Sans Souci was <br /> meant as a town home, sited on the edge of Hillsborough. Like the Crabtree Jones House, Sans <br /> Souci is a tripartite form in which the center block is two full stories in height and is capped with <br /> a side-gable roof. Like Moorefields, the center volume is three bays wide with a full-width, one- <br /> story porch on the facade. Also like Moorefields, the flanking wings are one bay wide and two <br /> piles deep,but at Sans Souci the wings each have a dormer window,making the volumes one-and- <br /> a-half stories tall. San Souci's frame structure is clad in molded weatherboards, and the foundation <br /> is brick. On the interior, Sans Souci has a paneled spandrel under the stair and a full-height mantel <br /> in the parlor with diagonal reeding—details also found in Moorefields. Most significantly, Sans <br /> Souci's entry is off-centered, creating an asymmetrical facade and signaling an interior side- <br /> passage plan. For this reason, the author of the 1971 National Register nomination for Sans Souci <br /> believed that the house was "constructed in three major stages [and] was probably not conceived <br /> originally as a three-part house, for the central block which once stood alone has a side hall plan <br /> rather than the more typical center hall plan."131 <br /> Of the eight tripartite houses aforementioned—Graves House, William G. Smith House, Crabtree <br /> Jones House, Sally-Billy House, Shady Oaks,Little Manor,the Hermitage,and Sans Souci—seven <br /> have symmetrical fagades despite having various internal layouts, including cross-hall,transverse, <br /> hall-parlor, and center-hall plans. Sans Souci's and Moorefields' side-passage plans are distinctly <br /> atypical. This exception has caused the author of Sans Souci's nomination to speculate that the <br /> core was built like a common Georgian town home and that the wings were added later in the <br /> Federal period. This conjecture, by logical extension, brings the construction date(s) of <br /> Moorefields into question. Previous documentation of Moorefields—including the 1972 National <br /> Register nomination and the 1968 HABS recordation, among other secondary sources—assert that <br /> the building dates to circa 1785. This is likely predicated on the fact that Alfred Moore purchased <br /> 1,200 acres from Peter Mallett in January of 1784, and that language in that deed and other <br /> evidence suggest Moore was already practicing law in Hillsborough by the early 1780s.112 Family <br /> letters illustrate that a house existed at Moorefields by 1805 if not earlier, and so a more <br /> conservative date range for the building's construction is 1784-1805. This twenty-year range <br /> covers the transition in architectural fashions from the Georgian period to the Federal period, <br /> which would explain the variations of form and details present at Moorefields. The two decades <br /> may also have provided enough time for Moorefields to have been constructed additively, in <br /> Section 8 page 42 <br />
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