Browse
Search
2022-461-E-Arts Commission-Chelsea Art Theater INC-Outside agency
OrangeCountyNC
>
Board of County Commissioners
>
Contracts and Agreements
>
General Contracts and Agreements
>
2020's
>
2022
>
2022-461-E-Arts Commission-Chelsea Art Theater INC-Outside agency
Metadata
Thumbnails
Annotations
Entry Properties
Last modified
9/13/2022 3:08:25 PM
Creation date
9/13/2022 3:08:11 PM
Metadata
Fields
Template:
Contract
Date
9/6/2022
Contract Starting Date
9/6/2022
Contract Ending Date
9/13/2022
Contract Document Type
Contract
Amount
$8,000.00
There are no annotations on this page.
Document management portal powered by Laserfiche WebLink 9 © 1998-2015
Laserfiche.
All rights reserved.
/
14
PDF
Print
Pages to print
Enter page numbers and/or page ranges separated by commas. For example, 1,3,5-12.
After downloading, print the document using a PDF reader (e.g. Adobe Reader).
View images
View plain text
Organization Description The mission of the Chelsea Theater is: To entertain, inspire and engage through film to <br />enrich our div erse community. The Chelsea was once one of sev eral art house <br />theaters in Chapel Hill and across the Triangle. Today the Chelsea is the Triangle’s <br />only nonprofit cinema dev oted entirely to film and film related education. Originally <br />opened in 1990, the Chelsea was sav ed from closure by a community fundraising <br />effort (“Sav e the Chelsea”) and re-opened seamlessly as a nonprofit on March 30, <br />2018. <br />As a nonprofit, the Chelsea quickly positioned itself as a v ital part of the local cultural <br />community by establishing working relationships with national film distributors, <br />attracting new audiences, and creating a space for discussion and interpretation of <br />film. The Chelsea presents a portfolio of first-run, independent, feature, and <br />documentary films. These films range from works by internationally known directors, <br />to those by new and emerging filmmakers based globally and in our own community. <br />In addition, the Chelsea regularly presents special series, as well as repertory and <br />classic films. Many programs inv olv e collaborations with UNC-Chapel Hill, Duke <br />Univ ersity, and community groups, and feature guest speakers or discussions on <br />relev ant social, env ironmental, or cultural themes. Examples include: the Indigenous <br />Peoples' film series; partnerships with the NAACP; an annual series of Dance on Film <br />in conjunction with the American Dance Festiv al. <br />The importance of the Chelsea’s reopening as a non-profit art house theater was <br />indicated by the theater’s rapid early growth, with a peak of 1,500 member households <br />and an annual attendance of 46,000 indiv iduals. This was halted by the COVID-19 <br />pandemic in 2020 when the theater was forced to close for thirteen months. But <br />adv ersity contained the seeds of opportunity, and the board used the lengthy closure <br />to mov e forward with a much-needed renov ation of the theater by updating public <br />spaces in the lobby and restrooms; replacing seats, sound systems, screens, and <br />flooring; and installing a state-of-the-art air filtration system. The renov ation was fully <br />funded the generous local community through their monetary contributions, as well as <br />in-kind gifts of materials and labor. The updates resulted in three ADA accessible <br />theaters with high quality audio-v isual equipment—offering patrons an outstanding <br />big-screen experience in welcoming surroundings. <br />The Chelsea’s board of directors is comprised of fifteen indiv iduals with backgrounds <br />in nonprofit leadership, higher education (Duke and UNC faculty specializing in film), <br />finance, health care, and construction. The board includes an equal number of men <br />and women with approximately one quarter from Black or Latino heritage. The two full- <br />time employees are the executiv e director and operations manager, who collectiv ely <br />ov ersee all operations and functions of the theater. In addition, part-time employees <br />include the assistant to the director who works primarily on PR and <br />membership/dev elopment, and the digital media coordinator, responsible for design, <br />website, and newsletters. The newly expanded part-time program manager position is <br />now responsible for creating and managing an increased roster of special programs <br />and writing and speaking about films. Additionally, concessions and ticketing are <br />staffed by part timers, primarily students and recent graduates. <br />DocuSign Envelope ID: C51EB45F-B413-43B9-9219-D43177B9056D
The URL can be used to link to this page
Your browser does not support the video tag.