Browse
Search
2019-695-E Arts - Jan-Ru Wan arts grant
OrangeCountyNC
>
Board of County Commissioners
>
Contracts and Agreements
>
General Contracts and Agreements
>
2010's
>
2019
>
2019-695-E Arts - Jan-Ru Wan arts grant
Metadata
Thumbnails
Annotations
Entry Properties
Last modified
10/18/2019 1:03:07 PM
Creation date
10/7/2019 2:05:37 PM
Metadata
Fields
Template:
Contract
Date
9/26/2019
Contract Starting Date
7/1/2019
Contract Ending Date
6/30/2020
Contract Document Type
Grant
Amount
$1,337.60
Document Relationships
R 2019-695 Arts - Jan-Ru Wan arts grant
(Attachment)
Path:
\Board of County Commissioners\Contracts and Agreements\Contract Routing Sheets\Routing Sheets\2019
There are no annotations on this page.
Document management portal powered by Laserfiche WebLink 9 © 1998-2015
Laserfiche.
All rights reserved.
/
9
PDF
Print
Pages to print
Enter page numbers and/or page ranges separated by commas. For example, 1,3,5-12.
After downloading, print the document using a PDF reader (e.g. Adobe Reader).
View images
View plain text
DocuSign Envelope ID:39D79395-43FF-4C9D-AAA1-F90C06B72BE8 <br /> Project/Program This public exhibition/performing project has evolved from my recent work <br /> Summary called "The Noise We Make;" (see submitted images #1,#2,#3). This project <br /> grant will support finically with my new proposed installation work titled, <br /> "Have You Heard Me? Have You Seen Me?". In addition to the exhibition, <br /> there will be an opening event with the collaboration with a contemporary <br /> Taiwanese dancer, Pin-Han Lin, and voice performers from sister voice of <br /> Chapel Hill. <br /> Throughout history, women's voices have often been silenced. Yet, silence <br /> itself can send a loud and clear message. It is this concept--the voice of a <br /> silent force--that I have chosen to portray through the assemblage of <br /> hundreds of rusted bells that no longer make any sound in my 2019 work <br /> called: The Noise We Made. Each bell is hand-dipped in wax, and this <br /> technique expresses the compelling sensation of hidden voices that have <br /> been forced into silence. Their inner presence echoes through the silent <br /> bells, acknowledging the resiliency of women. <br /> For the new installation, I use objects including wax-coated rusted bells, <br /> transparent collar supporters, and ceramic spoons. I portray women's <br /> voices that have been forced into silence and I plan to collaborate a <br /> contemporary dancer and a singer/singers to explore various ways of <br /> express our voice, such as objects, body language, and pure voice without <br /> words. <br /> "Have You Heard Me? Have You Seen Me?" installation is a total of 35-40 <br /> transparent plastic shirt collar supporters (referred to as "collar sculpture" <br /> below) will each be secured in a circle shape and attached to the long walls <br /> of the main gallery in the Carrboro Art Center. Each collar-sculpture will be <br /> embroidered with repeating text in white thread, including phrases such as: <br /> Have You Seen Me? Have You Heard Me?, Where is My Home? Am I Too <br /> Loud? Am I beautiful? Each collar sculpture will be 8 inches wide and <br /> suspended approximately five feet from the ground. A length of hand- dyed <br /> gradation color thread will be looped through each collar sculpture with 8-10 <br /> feet of thread left to reach to the center of gallery. The thread reaches <br /> towards the center of the gallery. Each piece of string will be weighted to the <br /> floor by a rusted wax-dipped bells or a red wax-stained white ceramic spoon, <br /> creating an organic space. Through this space created by different objects, <br /> a dancer will interact with the sculpture, exploring the connected objects <br /> and discovering each ceramic spoon contains a red wax stain following by <br /> the voice created by children from sister voice of Chapel Hill. Partly funding <br /> will go to documentation for the recording event as well as interview <br /> recording with children to talk about how they like their own voice and why <br /> anomalously which could accompany with the duration of the exhibition or <br /> development for future works. <br /> Financially supports are greatly needed for this collaboration to develop and <br /> to present for the public. Hope this project will create a new voice for young <br /> girls for generation to come. <br /> Community Impact Inspired by recent events related to women's right across the nation. This <br /> project will increase public awareness and celebrated women's resilience. <br /> With the collaboration with a young Taiwanese dancer and members from <br /> sister's voice proving a great dynamic force in the propose space and in the <br /> community. <br /> Sister Voice was founded in 2008 by Leandra Strope and was formed to give <br /> girls between the ages of eight and fourteen a place to develop their voices <br /> and create beauty in the world, and to understand how their own voices can <br /> make a difference. As girls develop a supportive community and develop <br /> competence with their voices, they come to embody confidence, both in <br /> singing and in relationships, which can then carry them through their lives. <br />
The URL can be used to link to this page
Your browser does not support the video tag.