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2019-684-E Arts - Ginger Wagg arts grant
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2019-684-E Arts - Ginger Wagg arts grant
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Last modified
10/11/2019 12:38:53 PM
Creation date
10/7/2019 2:04:40 PM
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Contract
Date
9/26/2019
Contract Starting Date
7/1/2019
Contract Ending Date
6/30/2020
Contract Document Type
Grant
Amount
$1,090.34
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R 2019-684 Arts - Ginger Wagg arts grant
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\Board of County Commissioners\Contracts and Agreements\Contract Routing Sheets\Routing Sheets\2019
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DocuSign Envelope ID:62270D65-F7C3-4540-9334-58AC9C9FOFB8 <br /> Summary present four new scenes for our performance series, Frivolous Artist <br /> (FA). We will produce two free public presentations in the form of <br /> Critical Feedback sessions on 2nd Friday Art Walks. The first will be <br /> specifically for local artists and WA colleagues, and the second will <br /> be open to the public (no art background or experience needed). <br /> These casual events will begin with an explanation of the evening, <br /> we'll provide complimentary snacks and drinks, and we'll end with a <br /> discussion and feedback session. <br /> In July 2019, WA will invite local artists (dancers, actors, and <br /> musicians) to create and rehearse four-six new FA scenes from <br /> August-December 2019. In January 2020, WA will schedule both <br /> feedback events. Between March-May 2020, Nightlight Bar & Club will <br /> donate rehearsal space and will host both our 2nd Friday Frivolous <br /> Artist Critical Feedback sessions. <br /> The information and research we gather from these public <br /> interactions will be invaluable to honing new FA material and will <br /> create a deeper connection to current and future <br /> audience/participants. We will be prepared to book and present our <br /> second full-length evening performance of Frivolous Artist in Fall <br /> 2020. <br /> Critical feedback from our arts communities and the general public <br /> are absolutely essential to creating successful immersive, interactive <br /> performances. By "successful" WA means: appropriate and effective <br /> design of the space; a coherent trajectory of the content and non- <br /> linear narratives; creatively using comfort and discomfort of <br /> audience/participants; intelligible transfer of information and content <br /> from performance to audience; clarity of invitations to interact; an <br /> attainable experience for the audiences — of their <br /> imagination/body/mind, their perceived and real roles in the event, <br /> and their sense of self. <br /> At the heart of "Frivolous Artist" there is not one subject but a <br /> quicksand of questions, interrogations, and dualities considering <br /> what makes art and artists worthwhile and meaningful. We believe it's <br /> critical to not just ask these questions in the creation process but <br /> present the labor of answering these questions publicly, in order to <br /> purposefully inspire a dialogue with audiences. <br /> As art makers, DO we and HOW DO we discuss amongst ourselves <br /> and our communities AGENCY, RESPONSIBILITY, LEGITIMACY, <br /> VALIDITY, VALUE, ACCOUNTABILITY, and LINEAGE? WA is <br /> examining what is forced, fake, fake by intention, real, real by action, <br /> authentic and/or necessary. We question how this affects our <br /> identities as "professional" artists. If and after we create a <br /> "professional" identity, is there any need, want, or ability to prove <br /> ourselves to audiences, venues, funding bodies, press/critics or <br /> anyone? Furthermore, it is important for WA and its audiences to <br /> know how this process changes depending on our race, education, <br />
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