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2017-462-E Arts - New Hope Elem. School - 2017-18 Arts Grant Agreement
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2017-462-E Arts - New Hope Elem. School - 2017-18 Arts Grant Agreement
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Last modified
7/23/2019 11:41:14 AM
Creation date
9/18/2017 12:12:51 PM
Metadata
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Template:
Contract
Date
7/1/2017
Contract Starting Date
7/1/2017
Contract Ending Date
6/30/2018
Contract Document Type
Grant
Amount
$7,116.00
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R 2017-462-E Arts - New Hope Elem. School - 2017-18 Arts Grant Agreement
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\Board of County Commissioners\Contracts and Agreements\Contract Routing Sheets\Routing Sheets\2017
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DocuSign Envelope ID:B3B563FD-6D63-4031-A74C-538395FA5A15 <br /> I am skilled at differentiating lessons to meet the needs of all learners and have four years of <br /> experience teaching students with mild to severe special needs in self-contained classroom settings <br /> as well as in integrated, regular education settings. <br /> Iltroughout,my career, I have created a number of interdisciplinary art units utilizing and <br /> collaborating with community resources and institutions (e.g. The Buffalo Liolocaust Museum, <br /> ,Albright Knox Art Gallery, University of Notre Dame Kellogg Institute for International Studies, <br /> South ,Bend Museum of Art, Duke University's Literacy Through Photography, Carolina Ballet, <br /> Marbles Kid's Museum,. etc.) often in colia.boration with teacher colleagues in other disciplines. <br /> I maintain a solid understanding of theories in art education, pedagogy, child development, art <br /> history and criticism, learning models and child psychology and often attend national conferences to <br /> improve my teaching craft. <br /> While in public and private schools, I created ongoing, rotating displays of student art throughout the <br /> school year in the school halls, entryways, school administrative offices, and district administrative <br /> offices. At the end of each school year, I organized and put on an all-school art show involving at <br /> least two to three pieces of art per student and open to the entire school community. (On more than <br /> one occasion local television and newspaper crews were in attendance and made public our school's <br /> event.) While at The Carrboro ArtsCenter and the NCMA., I created end-of-program art shows for <br /> parents and artists, including two large format art shows at Marbles Kids Museum. <br /> While teaching full-time in public and privates schools I created and ran after school Art Clubs <br /> meeting one day a week for an hour. Every year this club was filled to capacity.. <br /> During my years teaching at a K-8 school, I entered middle school students in the annual Scholastic <br /> Art and Writing competition. Each year, a munber of my students were accepted into the regional, <br /> juried art show and each year at least one of my students .won gold and went on to compete <br /> nationally in New York City. Twice, my students have won national gold prizes and their art was <br /> displayed in Carnegie Hall. <br /> While at public/private schools, I participated in all-school projects and publications such as: <br /> poetry/art anthology, set-design for school plays/musicals, author visits, fund-raisers and charity <br /> projects, art for assemblies and special events. <br /> In schools settings, I designed and maintained an art teacher website which included homework. <br /> postings, monthly newsletters, a digital art gallery of student. work and was utilized regularly by <br /> students, parents and teachers. <br /> In addition to continuous, one-on-one feedback during projects, I have developed a rich battery of <br /> methods for evaluating student performance including project rubrics, concept building exercises, <br /> sketchbooks assignments, self/peer evaluations, reflective post-project exercises, and small-group <br /> and whole-class critiques (both mid and post-project). <br /> My experience training teachers includes mentoring first and second year art educators; providing <br /> professional development workshops at the North Carolina Museum of Art's Educators' Night Out <br /> events; running smaller workshops to teach teachers how to include more fine art and art history in <br /> their curricula; and contributing to larger retreat-type workshops focused on teaching educators to <br /> develop art-rich, interdisciplinary lessons for use in their classrooms. <br /> 2 <br />
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