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2017-442-E Arts - Street Signs, Inc. - 2017-18 Arts Grant Agreement
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2017-442-E Arts - Street Signs, Inc. - 2017-18 Arts Grant Agreement
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Last modified
7/2/2018 11:23:42 AM
Creation date
9/13/2017 11:34:41 AM
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Contract
Date
7/1/2017
Contract Starting Date
7/1/2017
Contract Ending Date
6/30/2018
Contract Document Type
Grant
Amount
$2,370.00
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R 2017-442-E Arts - Street Signs, Inc. - 2017-18 Arts Grant Agreement
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\Board of County Commissioners\Contracts and Agreements\Contract Routing Sheets\Routing Sheets\2017
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DocuSign Envelope ID:AD99FE27-E625-45CC-B353-AEE3ADA2F2DA <br /> AR 1 EDµt IC, IpION, O.Nl�1�"REN( f' and gO��Y...1 LIAC11....... . . <br /> HAIR Barber Shop Installation April 20115 <br /> Students taking 6991) Multimedia in Public Space have been collaborating with T1°I131 SHOP,a barbershop <br /> in College park. Recording their stories and history,the students are Making art installation where(.tie <br /> public;is invited to sit in a paths-up shalt that simulates a barber shop, in the pop-up shop,the participant is <br /> exposed to a barber's story and is encouraged to tell their"train story.`l"iris is recorded an reproduced on <br /> the outside lagade of that pop-up shop,creating,a mosaic of"many stories,This is to help build community <br /> and storytelling in localized environments. <br /> Digital 1larbor fli h School's Jaaaaiatr Prom April 2015 <br /> Statdents taking 699D Multimedia in Public Space are collaborating with the Prom Committee at Digital <br /> I larbor High School to create an inimersive environment for their Junior Prom'fi're thane is"One <br /> Night in Paris"and the students are discovering ways to encourage the Prom Attendees ita instagrana, <br /> tweet,and post irna es from the year that will he repurposed in the space This will create an <br /> hnimersive, living yearbook for the prom to take place in.These images are overlaayeci onto predesigned <br /> palettes of Paris at night,This pro ect is to explores ways to create a live-voice of the famrtrc ipaants while <br /> also managing to curate the event's racsthetic and mood, <br /> The Center for Creative C":;'aallaaborataiaaa January 2015 <br /> 1 was one of five faculty memlters who helped to created The Center f"or Creative Collaboration(CC(") <br /> was created as a,latnuaary lnler session c,or.trse for students of varying backgrounds.The courser was team <br /> l.aught and explores the intersection between Playwrighting„ Perf6rrrranc.e,,Research and Documentation, <br /> Protection Design,and Dance. Students were a,ssigne.d to pods that fitcused specifically on one cif those <br /> topics but were quickly immersed in collaborations branching across all topics,°I"he course;waas all <br /> experiment to explores the depths of collaboration and to unlock new vocabularies,experiences,and tools <br /> to teaching in an interdisciplinary classroom. <br /> lardependeaat Study: Dance and Projections <br /> I created a one-semester 3-credit course fitr Dance Chards Sinck,,tir O atga and Matthew Reeves tee,help <br /> betler equip them liar using multimedia in their productions.The course taught,practical prograarnrning <br /> shills and led thcm through simple tasks to help therm achieve their initial ideas lot-dance performances in <br /> which they are currently generating. Sinclair O'Ciaga will be using many o1 his e;.xploraations fitr his Dance <br /> Thesis. <br /> NextNO�)W Festival, University of Maryland fSe.pteam ber 2014 <br /> Installation of J pro,je�ctors into the lobby of the,C`laarivv Performing Arts Center on campus of'University <br /> of Matryvlcand for a wesek long,festival,Students taking independent studios spent the week designing <br /> various designs for parties,curatorial events and neutral displays in ruder to better understand <br /> architectural pro jectkm design in public:spacscs, <br /> "1EDOiscaataarlutia"THE"1 EC:H"fYOi..C1C RIIIIAt,IMAGINATION May 201 14 <br /> 1 gave.a 15 minute TFI' 7 talk in Portsmouth,,NH about nay process kind development as aa.Projections <br /> Designer"The talk was about nay history as well as my philosophy of how we rnust find deeper way s to <br /> use technology to tell our story and avoid using it just llor spectacle,. <br /> 31A)ART &TECHNOLOGY Y C"E "1"J«R May 2011,January 21112 <br /> "Three day workshops in I,sadora and the process of rnultinrediar design frorn script to stage. <br /> Vassar C°'olle e Jaaly 2009 <br /> Workshop in the theories and practice,aof rnultirnedia performaance,using software to produce a series of <br /> short performances, <br /> Broolclyra College e 20f0 8-20112 <br /> Max M5l'/.lITTI R and fSAI)ORA Instructor for graduate level Students. <br /> Fairfield University laelaa°aaary 2009 <br /> Clue clay workshop in multimedia programming in MAX MSS/Jl'T"1f1`R,fs:oie'Singer's Mlh)kl`RON,and <br /> Cvtoa°f ar I�. <br />
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