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DocuSign Envelope ID:AD99FE27-E625-45CC-B353-AEE3ADA2F2DA f
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<br /> Joseph me ;el
<br /> February 23,2017/Page 9
<br /> TERM CO(JRSESTAUG11T PAST THREEYEARS No. Students
<br /> Spring 201.5 Africaan American Contemporary — Pertbruriing African Araaerican History Ca
<br /> Education, Freedom, ,aid Democracy, Department of"African," African-
<br /> American, and Diaspora Studies
<br /> Fall 2014 Perl"nrmaarice of the Solo Show 14
<br /> Spring 2014 Media in Performance (with Will Bosley) 1
<br /> Spring 2014 Special Topics: Water, Department:of African, African—American, and Diaspora 201
<br /> Studies
<br /> Spring 21114 performance Practicum 5
<br /> MAST'FA S STU'DEN T"THESIS COMMITTEES
<br /> Sprint!,2008 Ariel (iratch, "Flaunting "Stories of Ahrrse: Revealing C 114ac�asts "l-hrough Critical
<br /> Performance 1lthrrca raphy,°" in ccan,junction with prodUcticrn cif"The Bell
<br /> l,Vitc b
<br /> Spring 2006 Allan Terry Manic, "Exploring the "I"heatrical Experience with the Playwright as
<br /> Director," based cara the Production of Framing the Shot
<br /> Spring 21115 Kelly Pape, "The Masks We Wear"
<br /> Spring 21114, Korde Tuttle, """The Chair, The Dance"
<br /> Spring 2014 Joseph Antodei, "One Sire fits All"
<br /> Spring 2013 Alcoa Lytle, "'Where? When?: One Daughter's lt'x ploration of the Past and
<br /> Remembering"l hrough Her Mother, Grandmother, and Thormas Wolfe"
<br /> Spring 201.2 Saaan Peterson, "Frahm F to N4 to Octopus"
<br /> Springy;2007 Kate Kelso, "Buhi and 13ci1:releh"°
<br /> Sharing 211119 Carina Cortese, "After Images of the Disappeared"(Department of'Dramatic Art)
<br /> MENTORED PRODUCTIONS
<br /> Spring 2015 Marie Garlock, Cancer
<br /> Spring 2013 l rista Jasper, On Bi-euthing(in) the l3rac v
<br /> Spring 2011 Gretchen Fox Klobucar" G(ralm,)
<br /> Spring 2007 Tracy Walker,A uthentic Ch aniele(,) rs
<br /> Fall 2006 Chris Chiron, Oil Greed and l:ranefiries,
<br /> S1?f,l C"1"I'D GRANTS, F l.,LOWSl- 1PS, AND EA1C1"r1ET) INCOME,
<br /> 20116 UNC:W Performing Arts and Special Activities Fund: The Process Saries: New °2";1.3°3.51)
<br /> Works in
<br /> 2016 l.,GB`I'`Q Provost Advisoryr�C�.animiftee: The Process�escSeri st(f�c rrr lac=s r^es in 100111
<br /> (116 &�'.nseroblc Studio l�)
<br /> l�r agrrre ntw
<br /> �?�, -" �lac;at.r°c/Slraaarr Foundation Grant: Str'eetSil„rrs (Yrrrr Are Dcc�rel, 4000
<br /> 1"(,nl Are Here)
<br /> 20111 Paul Green Fourrdatiow StrectSig,ns (You Are l)ecacl, You lfre Here) 2500
<br /> 2016 National C�,rrdowment for the Arts: StrcetSigrrs(You Are Dr'ml. You re l ere) 1511011
<br /> 2015 UNC, Arts arrd Sciences Grant f"ur Interdisciplinary Initiatives - "team "l"eaching 1011100
<br /> Initiative(with Lee Wcitiert): "l°uundations of Media and Pe,rf arnlaance:
<br /> "1rans,disciplinary Exploration"
<br /> 2015 Paul Green Foundation The Process `aeries(Tom Aaxrm ier) 1500
<br /> 20115 StreetSigns: Peribrrraance Season at Swain llarll, 'IUNC -Chapel Hill (Fr^eaig-171 and 3771,16
<br /> paid
<br /> 2014 UNCB Carolina Digital IfcuararrrtiesInitiative Graduate Course )
<br /> �rer°rt C�ararat 6000
<br /> (with Lee Weisert): "Foundations of Media and Performance:
<br /> 'I"ransdisciplinary 1"Aploration
<br />
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