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i <br /> DocuSign Envelope ID: 32D5DFOB-2201-494E-993F-C356323EDD56 <br /> REVIEWS <br /> PERICLES-as Video Designer <br /> Francesca Talenti provides animated video projections at the back of the stage that <br /> feature swirling celestial images suggestive of"the music of the spheres"(a phrase <br /> in the play). <br /> -Charles Isherwood,The New York Times <br /> Set designer Jan Chambers works in concert here with video designer Francesca <br /> Talenti to conjure angry sea squalls via a swinging platform and a projection of <br /> galloping ocean waves;in other instances,a backdrop darkens to reveal a lovely <br /> starry canopy in the night sky,out of which a gracious god like Diana(Emily <br /> Serdahl) can propitiously appear. <br /> - Peter Marks,The Washington Post <br /> Haj owes his technical crew mightily.Francesca Talent's video designs evoke the <br /> cosmos with stars,tempests and moons--meshed with Rui Rita's lighting scheme <br /> and Jan Chambers'multiplatform set of what appear to be large plates of marble <br /> shards. <br /> Graydon Royce, StarTribune Minneapolis <br /> THE UNCANNY VALLEY-as Writer/Producer/Director <br /> The Uncanny Valley is technically impressive and intellectually haunting,forcing the <br /> audience to face the growing role of technology in our world. <br /> - Sarah Lucie,Show Business Weekly I <br /> An inventive cybernetic fairy tale...staged with poetic grace,both touching and r <br /> ominous. 1 <br /> - Rachel Kerry,New York Theater Review <br /> It's the Turing test with life-and-death stakes-and a conundrum we hopefully won't <br /> have to tackle for a long time to come. <br /> - Rachel Courtland,Spectrum IEEE <br /> is <br /> C <br /> The show had me on the edge of my seat the entire time. r <br /> -Rachel Weinberg,Broadway World <br /> It's as if My Dinner with Andre had been co-written by Thomas Pynchon and <br /> William Gibson. <br /> -Brian Howe,The Independent Weekl <br /> is <br />