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2017-029-E Arts - Chapel Hill High School Arts Academy - Fall 2016 Arts Grant Agreement
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2017-029-E Arts - Chapel Hill High School Arts Academy - Fall 2016 Arts Grant Agreement
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Last modified
7/23/2019 12:26:30 PM
Creation date
1/25/2017 3:45:08 PM
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Template:
Contract
Date
1/17/2017
Contract Starting Date
1/17/2017
Contract Ending Date
12/31/2017
Contract Document Type
Grant
Agenda Item
Manager signed
Amount
$1,000.00
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R 2017-029-E Arts - Chapel Hill High School Arts Academy - Fall 2016 Arts Grant Agreement
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DocuSign Envelope ID: CF1E5821-41D3-41 CA-BE86-7063BD8D1470 <br /> and sharing them with their peers. Throughout the program, students will be active participants in a daily <br /> workshop style culture that will combine elements of direct instruction,writing guidance,peer and <br /> teacher review, and performance. The program will be offered to five tenth grade English classes daily <br /> that meet during the regular school day from January 9- 13,2017. Additionally,an abbreviated version <br /> of the program will be offered during two 45 minute lunch periods on Tuesday and Thursday of the <br /> same week to a group of student leaders who attended a November workshop. <br /> The curriculum is designed to benefit students in five specific ways: enhance emotional literacy, <br /> facilitate identity exploration,refine writing and analytical skills,develop performance and public <br /> speaking competency, and build self-confidence.Kane will perform his own work as well as share <br /> videos and texts from other poets and notable orators. He will help students to examine primary source <br /> documents,and then lead creative writing workshops in response to the content. Through <br /> self-exploration and exposure to a diverse body of both written and performed texts,participants will <br /> create powerful works of poetry that engage critically and creatively with issues of identity, <br /> intersectionality, oppression, and imperialism-all themes that students have been exposed to in their <br /> English class. In addition,participants will learn to use literary devices and other poetics,as well as <br /> develop public speaking and performance skills. The best work that students create during this <br /> week-long residence will be highlighted at a few Chapel Hill High School events: our annual Junior <br /> Follies school-wide talent show,the Black History month assembly,and our outside festival Tiger Fest. <br /> We also have tentative plans to collaborate with our Information Technology Academy to produce some is <br /> video media of the best poems for YouTube. <br /> Specifically, 126 tenth grade(ages 15-16)English students will participate in the five day long residency <br /> program-that's one full week of creative, arts-integrated teaching! Of the 126 students, 63 are white,21 <br /> are Asian, 18 are Black, 16 are Latino, 5 are Multiracial, and 3 are Middle Eastern. There are 60 male <br /> students, 65 female students, and 1 transgender student. <br /> Additionally,there are 25 student leaders who will participate in the two lunch sessions,20 of whom are <br /> African American,3 that are white,and 2 that are Asian. The group is comprised of 13 male and 12 <br /> female students in grades 10-12(ages 15-18). This group participated in a 3 hour workshop with Kane <br /> Smego and educator/artist Pierce Freelon on November 18th, and will bring poems to the lunch work <br /> sessions for review and performance practice. <br /> The curriculum will encourage critical thinking around the following themes:the social construction and <br /> history of race in America; intersectionality theory,matrix of social oppression, and hybrid identities; <br /> null curriculum, erased histories,and the idea of dominant vs. counter narratives; and responding to <br /> forms of oppression. The following informational texts will be used(in part)to facilitate the instruction: <br /> George Mason University's compilation of The Racial Prerequisite Cases;Kane's Powerpoint on Race <br /> in America;Benjamin Banneker's Letter to Thomas Jefferson;liberation poetry in South African <br /> Apartheid; Crenshaw and Dubois' excerpts on intersectionality and double consciousness; and Audre <br /> Lorde's explanation on the origins of intersectionality and waves of feminism. The poems and videos <br />
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