Orange County NC Website
DocuSign Envelope ID: 08671365-A26A-45AE-A1 BO-C9F674AC3364 <br /> Artist Profiles Spring 2016 Arts Program Application <br /> D.M.A. in Opera Performance from the University of Maryland. Praised in Opera News for <br /> his "rich voice and superb musicianship,"Dr. Galvin has sung with the Washington, Wolf <br /> Trap, Cleveland, Cincinnati, Sarasota and National Operas, Opera New England, Opera <br /> Theater of Northern Virginia, and Summer Opera Theater companies, at Constitution Hall as <br /> Sarastro in Die Zauberflote under the baton of Victor Borge, and as the title character in Le <br /> nozze di Figaro with the New York Grand Opera. His roles also include Basilio, Don <br /> Giovanni, Col line, Dulcamara, Gremin, DeBecque, and Pandolfe. He played Marshall <br /> opposite Patti Lupone in the Kennedy Center production of Regina, and created two roles in <br /> Wolf Trap Opera's critically acclaimed world premiere of John Musto's Volpone. Recent <br /> engagements include roles with Washington Concert Opera(Alidoro, Quinault), roles in <br /> Opera Lafayette's Le Deserteur(recorded on Naxos Records) and Bartolo in Paisiello'sIl <br /> barbiere di Siviglia, and the title role of Gianni Schicchi with InSeries in Washington. <br /> On the concert stage, Mr. Galvin has performed with Ute Lemper and the National <br /> Symphony in Kurt Weill's Seven Deadly Sins, and with the Arlington Symphony and <br /> Williamsburg Symphonia. He was a regular featured performer in WMAL Radio's annual <br /> live Christmas concert from the Kennedy Center, and as bass soloist in the Kennedy <br /> Center's Messiah Sing-Along. <br /> MELISSA MARTIN <br /> Soprano Melissa Zwicker Martin is an alumna of the University of North Carolina at <br /> Chapel Hill, where she received a Bachelor's degree in Music and Political Science before <br /> obtaining a Master of Music in Vocal Performance from the Manhattan School of Music. Dr. <br /> Martin received her Doctor of Musical Arts degree from Mason Gross School of the Arts at <br /> Rutgers University, where she was a recipient of the David Reeves Scholarship and the <br /> Naumberg Scholarship. <br /> Dr. Martin has appeared in opera, concerts, and recitals throughout the United States <br /> and Europe. Representative operatic repertoire includes roles such as Pamina in Die <br /> Zauberflote, Zerlina in Don Giovanni, Musetta in La Boheme, Norina in Don Pasquale, <br /> Valencienne in Die Lustige Witwe, Rose Maurrant in Street Scene, Belinda in Dido and <br /> Aeneas, and Gertrude Stein in The Mother of Us All. A versatile performer committed to <br /> contemporary music, she was featured in the world premiere performance of James <br /> Legg's The Power of Xingu as Mrs. Garnett. Dr. Martin also created the role of Joy in the <br /> children's opera, The Araboolies of Liberty Street in conjunction with an arts-in-education <br /> community outreach program of New York. As a supporter of the Soho Think Tank's <br /> mission to nurture, strengthen, and promote a diverse community of independent theater <br /> artists, she appeared as Marni in the world premiere of the musical theater production, Child <br /> of God, at New York City's Ohio Theater. <br /> DONALD OEHLER <br /> Donald L. Oehler, Professor of Music at the University of North Carolina at Chapel <br /> Hill and clarinetist, has drawn high praise as a soloist, chamber musician, conductor and <br /> educator throughout his long career at the University. His performing activities have taken <br /> him throughout the United States, Central America, Canada, Great Britain, Eastern and <br /> Western Europe, the Middle East and Asia. He began his career as principal clarinetist of the <br /> Orchestre Philharmonique de Teheran in Teheran,Iran before moving to North Carolina to <br /> join the University of North Carolina music faculty. <br /> Mr. Oehler was one of the first American clarinetists to become active on classical or <br /> period instruments, including performance on the basset clarinet. He has sustained activity in <br /> the performance of new literature for the clarinet, giving world premieres of Peter Lieuwen's <br /> Trio for Clarinet, Cello, and Piano and T.J. Anderson's work"Huh, What Did You Say?"for <br />