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DocuSign Envelope ID: 124C6798-3E02-41 F0-A0B2-48070A27BF55 <br /> • � w Michael Roy Layne, Ph.D., RLA, ASLA <br /> .\ !!7:4 .. Environmental Sculpture•Landscape Architecture•Community Art <br /> Nit <br /> Mailing Address:442 S.Main Street•Warrenton,NC 27589 <br /> Sculpture Studio•Workshop:135 S.Main Street•Warrenton,NC 27589 <br /> Phone:919-616-8427•Email:layne @legacyworks.com•Web:Legacyworks.com•Facebook:legacyworks studio <br /> LEGAr+ KS Nature+Culture:Forms and Forces in Environmental Art <br /> November 30,2015 <br /> Re: Fall 2015-16 OCAC Artist Project Grant Application <br /> St.Thomas More School—Cana Project•Part 2: Ferro-Cement&Fabric Sculpture(Vasijas de Agualluvia) <br /> Narrative <br /> Proposed Project <br /> The proposed project has three goals:(1)provide an opportunity for the school community to learn about environmental art <br /> and ecological design through interactive participation with the artist in the creation and installation of a public outdoor <br /> sculpture that enlivens the inner courtyard and adds an aesthetic element to a larger space that includes a meditation <br /> labyrinth,a working garden,and a formai outdoor classroom;(2)create an aesthetically engineered artwork that harvests <br /> rooftop rainwater while depicting both a vessel structure and a seed pod form that connects the artwork to the garden <br /> concept(3 pairs of vessel sculptures and 2 underground tanks to hold 3,000 gallons);(3)provide students with a framework <br /> upon which to attach hand-made clay tiles(tesserae)that depict a variety of natural forms and colors and collectively bring <br /> the sculpted seed pod forms to life. <br /> Environmental Sculpture Concept <br /> Creating the first phase of a larger sculptural environment(Transformation+Miracle at Cana)that collects rainwater from <br /> an existing downspout(200 gal.capacity)and employs them to connect art and science. The method for creating the pair of <br /> seed pod-shaped ferro-cement vessels is based on the hands-on Low-tech fabrication employed by indigenous peoples to <br /> create large-scale Thai and African water Jars that collect rainwater for household use. Besides the ferro-cement <br /> sculptured form that encloses the front of the two plastic rainwater vessels,an additional sculptured metal and fabric form <br /> will be fabricated and installed to the rear of this seed pod to complete the overall sculptural design.The funds for this <br /> proposed project will be employed to purchase material and pay the artist to create the l'pair(part 2)aesthetically- <br /> engineered rainwater-harvesting vessel forms(#3&#4)located within the outdoor classroom area(see attached STM Can <br /> Master Plan and Vessels Sketches). (Note:the base structure,plastic catchment vessels,and attachment hardware(part 1) <br /> will already be installed in preparation for the fabrication of the seed-pod form while part 3 will include the creation and <br /> attachment of clay tiles created by the school's art students). <br /> Sculpture Materials <br /> The front ferro-cement seed pod forms-First a canvas bag in the form of the final vessel shape is sewn together and filled <br /> with sawdust and set in place. This canvas shape provides the form for a wire rod and chicken wire to be created.Attached <br /> to a raised footing that holds the plastic vessel,this wire form becomes the armature for applying several coats of mortar <br /> and sculpting the details of the seed-pod forms.Once the form is completed and smoothed,nil(a lime-based sealing <br /> compound)is applied to complete the forms.(Note:this form will be covered with small glazed 2D&3D tile shapes <br /> created by students in the tile-making art classes). <br /> The rear metal and fabric leaf and tendril forms—Created using a lightweight metal framework covered with Sunbrella <br /> outdoor fabric,this leaf form completes the illusion of a pair of seed pods while completely enclosing the pair of water <br /> catchment vessels. Intended to enliven the whole concept and promote a playful environment, 10 metal tendrils ending in <br /> rainbow-emitting crystal prisms extend out into the air.(Note:this metal and fabric form is bolted to the rear of the support <br /> footing structure so that the fabric can be replaced and the internal plastic rainwater harvesting vessels can be maintained. <br /> Community Impact <br /> MICHAEL ROY LAYNE• LEGACYWORKS•St.Thomas More School Cana Project•Harvesting Vessel Part 3 Mosaic Sculpture Form.November 22,20t5 Page 1 <br />