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DocuSign Envelope ID:6368FECC-3C91-49C7-983E-AA65A76D339E rt U K N <br /> Re: flutist looking for horn player <br /> Andrew McAfee <andrewmcafeel @me.com> Sun, May 11, 2014 at 7.57 AM <br /> To: Lindsay Leach <1 alflut e.leach @gma il.com> <br /> Hi Lindsay, <br /> The best oboists in the area are <br /> Melanie Wilsden <r1ckmeInc@earthIink.net> <br /> and <br /> Joe Robinson <joboerob@gmail.com> <br /> I can give you more names if these don't pan out. <br /> One thing to consider before contracting me is that I have a health condition that requires I not be around wireless <br /> radiation like from cell phones, wi-fi routers, cordless phones, etc. <br /> All rehearsals and recording sessions must be free of these influences. If you are willing to ensure that every has their <br /> phones powered off, and there is no wi-fi in the area, etc. we are good to continue. <br /> With that said, it looks like an interesting project. Depending on how detailed you want the recording, the cheap side <br /> can be accomplished with two rehearsals and then recording a concert and is the simplest way. A recording session <br /> with lots of microphones in a studio would be very expensive. <br /> Reserving Hill Hall at UNC or some other acoustic venue for a couple of days (not during the summer as it is very hot, <br /> no AC) of recording is another option. <br /> My rates: <br /> For me to show up anywhere is $100 and $50 an hour after that.We could negotiate a lump sum for the entire gig <br /> once we work out all oft d I am open to offers. <br /> I imagine a minimum olL 500 to$750'to do it right. <br /> I have used Dwight Robinett <dwightrobinett@gmail.com> <br /> as my recording engineer a number of times. There are others as well and you can compare rates and schedules. <br /> Let me know what you think. <br /> Thank you! <br /> Andrew <br /> On May 10, 2014, at 10:49 PM, Lindsay Leach <1 alflute.I each @gmai l.com>wrote: <br /> Hi Andrew, <br /> Thanks so much for your response! I am relatively new to Chapel Hill, so I'm getting back into knowing <br /> who's in the performance circles in this area <br /> I'm in the process of applying for a couple of grants that would fund the production of a CD featuring <br /> chamber music of Hugo Kauder(1888-1972). He's an Austrian-American Jewish composer who's music <br /> is influenced by a combination of Eastern European folk tunes, 17th century counterpoint, Ocheghem, <br /> and his own brand of tonality(loosely comparable to Hindemith's)...you can check out <br /> www,hugokauder.org for more info. Kauder was the focus of my dissertation at CCM and I'm hoping that <br /> the CD in conjunction with some concerts in the area and some lecture-recital presentations this year <br /> will be the next step before writing a biography on Kauder(a kind of extension from my doctoral <br /> document). The first grant application is due at the end of May, so I'm planning to start perform some <br />