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DocuSign Envelope ID:Al 391C8C-C731-4683-B498-D5B7783F86E4 •s,directors and designers of the year I Theater I Indy Week <br /> Historians and scholars have speculated for some time on the specific half- <br /> life of American racism. Still, one conclusion seems clear: at this date, it <br /> remains much longer than the average contemporary attention span. <br /> Depending on the ages and experiences that unite and isolate them, such a <br /> work is easily a reminder to the person in one seat—and a revelation to the <br /> person next to them. To the latter, we dedicate this citation, with a strictly <br /> confidential admission to those who weren't around in 1974. Actually, it <br /> wasn't that bad. <br /> It was much, much worse. It didn't end after 105 minutes. <br /> And it still isn't over. <br /> SPECIAL ACHIEVEMENT IN DESIGN <br /> When all elements of a show's design work to create a world, an audience <br /> moves into it. In these productions, superior design and execution across all <br /> design elements earned our highest praise. Jon Haas' multi-screen video <br /> montages and Alex Maness' audio design reinforced the time capsule that is <br /> The Best of Enemies, and Jan Chambers and McKay Coble placed Greek <br /> gods and foolish mortals in an aging combination European bathhouse and <br /> bibliotech in Metamorphoses. The filigreed and porcelain corruption of Lear <br /> was a waking nightmare, and we're still unpeeling the layers that gracefully <br /> unfolded in The Narrowing. <br /> Cabaret, PlayMakers Rep (PRC): David Bova, Heather Fleming (Makeup); <br /> Robert Dagit (Sound); Josh Epstein (Lighting); Jennifer Caprio (Costumes); <br /> Marion Williams (Set) <br /> Lear, Duke Theater Studies (DTS): Tracey Walters (Makeup); Sonya Drum <br /> (Costumes); Roz Fulton (Lighting); Torry Bend (Set) <br /> Metamorphoses, PRC: Michael Meyer, Heather Fleming (Makeup); Robert <br /> Dagit (Sound); Marcus Dilliard (Lighting); Jan Chambers, McKay Coble <br /> (Costumes, Set) <br /> Ruined, Burning Coal Theatre (BC): Aharon Segal (Sound); Matthew Adelson <br /> (Lighting); Katrine Blose (Costumes); Morag Charlton (Set) <br /> The Best Of Enemies, Manbites Dog Theater (MBD): Marissa Erickson <br /> (Costumes); Alex Maness (Sound); Jon Haas (Video); Andrew Parks (Lighting); <br /> Derrick Ivey (Set) <br /> The Narrowing, Archipelago Theatre (AT): Jan Chambers (Costumes, Set); <br /> Adam Lindquist (Sound); Jesse Belsky (Lighting); Jim Haverkamp (Video); <br /> Liam O'Neill (Technical Design) <br /> The New Electric Ballroom, MBD: Marc Maximov (Sound); Chuck Catotti <br /> http://www.indyweek.com/indyweek/honoring-the-best-plays-performers-directors-and-designers-of-the-year/Content?oid=3787897&mode=print 3/16 <br />