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with old friend jean (a flawless Page Purgar) and her peppery landlord Dottie (a , <br /> rewarding Sharlene Thomas), just how quickly Margie is running out of options <br /> for herself and her brain-damaged adult daughter. <br /> A chance meeting sets Margie in Mike's office—and then his home—in a <br /> desperate search for a job. She tries to convince herself that she might have <br /> wound up on the other side of the poverty line, just as Mike assures himself <br /> that he never could have. Since Margie's approach to the less-than-gentle art of <br /> verbal self-defense involves a formidable offense, inevitably the gloves come <br /> off. When they do, the factors dividing the two grow narrower and narrower. <br /> Rasool jahan adds to the blue-chip cast assembled here with her grounded <br /> work as Mike's wife, Kate, in a production that takes on some of privilege's <br /> most cherished assumptions as it asks who—and what—a good person actually <br /> is. <br /> This article appeared in print with the head line "Guiding lies. " <br />