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3 <br /> American Musicological Society Publication Subvention,2004 <br /> The Violin:A Research and Information Guide.New York and London: Routledge,2006. <br /> Articles,Essays,and Book Chapters <br /> Peer Reviewed: <br /> "Music Technology." (Co-authored with Brian Jones.) In Oxford Bibliographies In Music. Ed.Bruce Gustafson. <br /> New York:Oxford University Press,2013. Online at http://www.oxfordbibhographics.com. <br /> "Songwriting as Musicological Inquiry:Examples from the Popular Music Classroom." (Co-authored with <br /> Travis Stimeling.)Journal of Music History Pedagogy 2 (March 2012): 133-52. Online at www.ams- <br /> net.org/ojs/in,dex.php/jmhp/article/view/52 <br /> "Men,Women,and Turntables:Gender and the DJ Battle."MusicalQuarterly 89 (Summer 2006): 580-99. <br /> [Published April 2008.] <br /> "Portamento and the Phonograph Effect."Journal of Musicological Research 25 (2006): 211-32. <br /> Reprinted in Classical and Romantic Music,ed.David Milsom,2011. <br /> "Beethoven in the Age of Mechanical Reproduction:The Violin Concerto on Record."Beethoven Forum 10 <br /> (Spring 2003): 38-55. <br /> "Hindemith,Toch„and Grammophonmusik."Journal of Musicological Research 20 (2001): 161-80. <br /> "Making America More Musical Through the Phonograph, 1900-1930."American Music 16 (Winter 1998): <br /> 448-75. <br /> Invited: <br /> "Music and Technology." (Co-authored with Tim Miller.) In The Oxford Handbook of the History of Technology,ed. <br /> W.Bernard Carlson. New York:Oxford University Press. Forthcoming in 2013. <br /> "Rock Music and Technology."In John Covach and Andrew Flory, What's that Sound?:An Introduction to Rock <br /> and its History, rd ed., 550-51.New York:W.W.Norton,2012. <br /> "Amateurism in the Age of Mechanical Music."In The Oxford Handbook of Sound Studies,ed.Trevor Pinch and <br /> Karin Bijsterveld.New York: Oxford University Press,2011. <br /> "Sampling Before Sampling:The Link Between DJ and Producer."Samples 9 (2010): 1-11. http://aspm.ni.lo- <br /> net2.de/sampli°s/Samples9/katz.pdf. <br /> "Beware of Gramomania:The Pleasures and Pathologies of Record Collecting."In The Record,ed.Trevor <br /> Schoonmaker.Durham:Duke University Press,2010. <br /> "Aesthetics out of Exigency:Violin Vibrato and the Phonograph."In I Sing the Body Electric Music and Technology <br /> in the Twentieth Century,ed.Hans Joachim Braun, 186-97.Hofheim:Wolke,2000.Also published as Music <br /> and 1 ethnology in the Twentieth Century.Baltimore and London:Johns Hopkins University Press,2002. <br /> Reviews,Dictionary and Encyclopedia Entries,Blog Posts,and Other Publications <br /> Review of Creative License:The Law and Culture of Digital Sampling,by Kembrew McLeod and Peter DiCola. <br /> ARSC Journal43 (Fall 2012):279-80. <br />