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<br /> ■ Resources and Methods in Musicology(graduate seminar)
<br /> ■ Under the Covers (graduate seminar,co-taught with Jocelyn Neal)
<br /> ■ Virtuosity (elective for music majors)
<br /> ■ World Music in Theory and Practice(undergraduate theory course for music majors)
<br /> Independent studies: on Bob Dylan (graduate);ethnography and hip-hop (graduate);John Adams's Doctor
<br /> Atomic(graduate),music appreciation in the U.S. (graduate);musical modernism in U.S., 1920s-30s
<br /> (graduate);musical competitions (graduate);the recording industry(undergraduate);the music of
<br /> Radiohead (undergraduate);violin pedagogy(undergraduate)
<br /> Dissertation advisor:Joshua Busman(evangelical pop),Ryan Ebright(American minimalist opera),Brian
<br /> Jones (alternative rock aesthetics),Timothy Miller(musical instruments as technology);Will Robin
<br /> (downtown NYC avant garde);David VanderHamm (guitar virtuosity)
<br /> Dissertation committee member:Molly Barnes,Christa Bentley,Will Boone,Molly Breckling,Justin
<br /> Burton(Rutgers),Stephen Collins (Macquarie;as examiner);Kimberly Francis,Daniel Guberman,
<br /> Alex Kotch (Duke),Erin Maher,Marc Medwin,Joshua Neumann (Florida),Allison Portnow,
<br /> Christopher Reah,Douglas Shadle,Karen Shadle,Travis Stimeling,Jeremy Smith (Duke),Kristen
<br /> Turner,Christopher Wells,Jeffrey Wright
<br /> Honors thesis advisor:Paula Peroutka(cello transcriptions of pop music);Emily Riehl(Nueva canci6n in
<br /> Argentina and Chile);Stephen Rouse(the music of the Avett Brothers);Joseph Terrell(development
<br /> of bluegrass guitar playing)
<br /> SURF (Summer Undergraduate Research Fellowship) advisor:Joseph Chapman (dubstep documentary)
<br /> Master's thesis advisor:Will Boone (classical music on the Internet),Daniel Guberman(post-fidelity),
<br /> Erin Maher(Drum Corps International),Christopher Wells (National Negro Opera Company)
<br /> Johns Hopkins University:Peabody Conservatory and School of Arts and Sciences
<br /> Peabody,undergraduate: surveys and seminars on American music,music and technology,popular
<br /> music,twentieth-century music;supervised independent studies
<br /> Peabody,graduate: seminars on American music,the discipline of musicology,music and technology,
<br /> popular music; supervised 10 D.M.A. theses and lecture recitals,and 2 Master's theses
<br /> School of Arts and Sciences:undergraduate surveys and seminars on music and technology and popular
<br /> music;supervised independent studies
<br /> Publications
<br /> Books
<br /> Music and Technology:A Very Short Introduction.New York: Oxford University Press. Under contract and in
<br /> preparation.
<br /> Groove Music:The Art and Culture of the Hip Hop DJ.New York: Oxford University Press,2012.
<br /> American Musicological Society Publication Subvention,2012
<br /> Music,Sound, and Technology in America:A Documentary History of Early Phonograph, Cinema, and Radio.Co-edited
<br /> with Timothy Taylor and Tony Grajeda.Durham:Duke University Press,2012.
<br /> Capturing Sound:Horn"Technology has Changed Music.Rev.ed. Berkeley and Los Angeles:University of California
<br /> Press,2010.First ed.pub.in 2004.Korean translation published by Mati Publishing,2007.Excerpts
<br /> published in The New Media and Technocultures Reader,ed.Martin Lister and Seth Giddings,2011;Chronicle
<br /> of Higher Education 51 (7 January 2005):B4;in German trans.in Lettre International 79 (Winter 2007): 103-
<br /> 10;and in Croatian trans.in Quorum 23 (2007):319-44.
<br /> Sally Hacker Award,Society for the Society for the History of Technology,2007
<br /> Choice,Outstanding Academic Title,2006
<br /> Certificate of Merit,Association for Recorded Sound Collections,2006
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