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2014-106 Arts - UNC Center for the Study of the American South - Fall 2013 Arts Grant Agreement
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2014-106 Arts - UNC Center for the Study of the American South - Fall 2013 Arts Grant Agreement
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Last modified
5/1/2017 12:32:25 PM
Creation date
1/17/2014 4:42:29 PM
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BOCC
Date
1/17/2014
Meeting Type
Work Session
Document Type
Agreement
Agenda Item
Manager signed
Amount
$1,500.00
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R 2014-106 Arts - UNC Center for the Study of the American South Fall 2013 Art Grant Agreement
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\Board of County Commissioners\Contracts and Agreements\Contract Routing Sheets\Routing Sheets\2014
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Garcia, David F. <br /> 9 <br /> Respondent: "Building Black Music at HBCUs: Perspectives on Hampton <br /> University: Response."Videmus @ 25 Festival: Reflecting on the Past, Reaching <br /> Toward the Future, Department of Music, University of North Carolina at Chapel <br /> Hill, March 23 <br /> 2010 "The Afro-Cuban Soundscape in Mexico City: Sounding National Identity, <br /> Blackness, and Modernity in Mexican Films of the Golden Era."Department of <br /> Geography, University of North Carolina at Chapel Hill, September 24 <br /> Panelist: "American Music in the Classroom." Society for American Music, <br /> Ottawa,Canada, March 20 <br /> Seminar Participant: "La gente del Bronx: Arsenio Rodriguez, a `People's <br /> Musician."Hostos Center for the Arts and Culture. Eugenio Maria de Hostos <br /> Community College/CUNY, Bronx,New York, March 18 <br /> 2009 "Democracy and Society: Perspectives in Cuban Hip Hop." Institute for the Study <br /> of the Americas, University of North Carolina at Chapel Hill,November 8 <br /> "Artists, Academics, Activists: Music and the `New World Negro Movement' of <br /> the 1930s and 1940s." Department of Romance Languages and Literatures, <br /> University of Missouri-Columbia. February 27 <br /> "Arsenio Rodriguez and the Transnational Flows of Latin Popular Music." The <br /> Afro-Latin@ Institute of Chicago. San Lucas United Church of Christ, Chicago. <br /> Sponsored by The Center for Latino Research, DePaul University. February 6 <br /> 2007 " `We; Both Speak African': Musical and ideological Collisions and Coalitions in <br /> the Making of Afro-Cuban Jazz."Black-Latino Relations: Collision or Coalition? <br /> Moore Undergraduate Research Apprentice Program, University of North <br /> Carolina at Chapel Hill,July 21 <br /> "Arsenio Rodriguez and the Transnational Flows of Latin Popular Music."The <br /> Sonja Haynes Stone Center for Black Culture and History, University of North <br /> Carolina at Chapel Hill,April 11 <br /> "Chano Urueta's Al son del mambo (1950)and Imaginations of Primitivism and <br /> Blackness in the Americas."Race, Representation, and Citizenship in the <br /> Americas. Afro-Latin Issues and Perspectives Working Group at the University of <br /> North Carolina at Chapel Hill and Duke University, March 24 <br /> "Embodying Music/Disciplining Dance: The Mambo Body in Havana,New York <br /> City, and Mexico City." School of Music, University of North Carolina at <br /> Greensboro, January 18 <br />
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