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Garcia, David F. <br /> 4 <br /> MAGNET President's Dissertation Fellowship. The Graduate Center, The City <br /> University of New York, 2001-2002 <br /> Baisley Powell Elebash Dissertation Fellowship in the Music of New York. Department <br /> of Music, The City University of New York, Graduate Center, 2001-2002 <br /> MAGNET President's Fellowship. The Graduate Center, The City University of New <br /> York, 1997-2001 <br /> Publications <br /> Books <br /> The Logic of Black Music's African Origins:Music, Africa, and Race in the mid- <br /> Twentieth Century(under preparation) <br /> Arsenio Rodriguez and the Transnational Flows of Latin Popular Music. <br /> Philadelphia: Temple University Press, 2006 <br /> Reviews in academic journals:Halbert Barton in CENTRO:Journal of the Center for Puerto <br /> Rican Studies 21/2(2009);Elizabeth Coonrod Martinez in The Hispanic Outlook in Higher <br /> Education 19/8(2009);Idigo Sanchez Fuarros in Revista Transcultural de Musica/Transcultural <br /> Music Review 13(2009);David-Emil Wickerstrom in Popular Music 27/1 (2008);Geoffrey Baker <br /> in Music&Letters 89/2(2008);Phil Samponaro in The Journal ofAmerican Culture 30/2(2007); <br /> Susan Thomas in Latin American Music Review 28/2(2007);and Gema Guevara Latino Studies <br /> 5/3 (2007) <br /> Book Chapters <br /> "Feeling Music and Hearing Dance: Decentering Movement and Sound in Son <br /> Montuno and Mambo." Towards a Musicology of Dance. Eds. Davinia Caddy and <br /> Maribeth Clark(under preparation) <br /> "The Afro-Cuban Soundscape of Mexico City: Authenticating Spaces of Violence <br /> and Immorality in Salon Mexico and Victimas del Pecado."Screening Songs in <br /> Hispanic and Lusophone Cinema. Eds. Lisa Shaw and Rob Stone. Manchester: <br /> Manchester University Press, 2012: 167-188 <br /> "Contesting That Damned Mambo:Arsenio Rodriguez, Authenticity, and the <br /> Puerto Rican and Cuban Music Cultures of El Barrio and the Bronx, 1950s." The <br /> Afro-Latin@ Reader:History and Culture in the United States. Eds. Miriam <br /> Jimdnez and Juan Flores. Durham: Duke University Press, 2010: 187-198 <br /> "Embodying Music/Othering Dance: The Mambo Body in Havana and New York <br /> City."Ballroom, Boogie, Shimmy Sham, Shake:A Social and Popular Dance <br /> Reader. Ed. Julie M. Malnig. Urbana: University of Illinois Press, 2008: 165-181 <br /> Refereed Articles <br /> "Contesting Anthropology's Will to Power in the Field: William R. Bascom's and <br /> Richard A. Waterman's Fieldwork in Cuba, 1948."MUSICultures(accepted) <br />