Orange County NC Website
Women's Voices Chorus OCAC APPLICATION NARRATIVE–November 2013 <br /> 3. Short programs. As a service to community members who may not be able to attend our <br /> regular performances, we have sung mini-concerts at Carol Woods and Carolina Meadows <br /> in Chapel Hill, and at House of Healing (Duke) and the Regent in Durham. We also have <br /> performed at the Durham Public Library and at assorted awards ceremonies and <br /> conferences. <br /> 4. Commissions & Premieres. We have commissioned 13 pieces over the last 14 years from <br /> a variety of well-known composers and have premiered 14 original works. <br /> 5. Enrichment. We hold a Saturday retreat twice a year for members to work on choral <br /> techniques, vocal health, choral history, and repertoire. <br /> PROPOSED USE OF GRANT FUNDS <br /> We are partnering with Duke Cancer Institute and UNC Lineberger Comprehensive Cancer Center <br /> to perform The Long Bright on May 16, 2014, at Hill Hall Auditorium on the UNC–Chapel Hill <br /> campus. This hour-long cantata by award-winning composer Andrea Clearfield is based on poems <br /> that David Wolman wrote between his wife's breast cancer diagnosis and death. The work <br /> premiered at the Kimmel Center in Philadelphia in 2004 as a fundraiser for cancer research. <br /> Ms. Clearfield explains the title and purpose of the composition as follows: "The title, The Long <br /> Bright, may be perceived as the white light at the end of the tunnel of dying, the long but bright <br /> hope for a cure and the fierce brightness of our lives—the white light of our souls. It is my hope that <br /> the piece . . . will generate an increased awareness of breast cancer and the need for finding a <br /> cure." For more information, see www.andreaclearfield.com/works/choral/the-long-bright/. <br /> We have the opportunity to work directly with Ms. Clearfield to enhance our musical understanding <br /> of The Long Bright and, in turn, to make our performance as meaningful as possible for the <br /> Triangle community. She has agreed to lead the chorus's spring retreat on February 15, to <br /> participate in our regular rehearsal on February 17, and to attend two technical rehearsals in May <br /> as well as the concert itself. We know from past workshops with other musicians (most recently <br /> Caroline Mallonee and Jayne Swank) that there is no substitute for a composer's personal <br /> knowledge and insight. We are fortunate to have access to someone of Ms. Clearfield's reputation <br /> and caliber, and we expect to learn from her and grow in ways that will impact not only this concert <br /> but also future performances. To enable Ms. Clearfield's two trips from her home in Philadelphia to <br /> Chapel Hill, we request$1,000 in travel funds. <br /> We will perform The Long Bright with a 22-piece orchestra, making this concert our most <br /> technically ambitious to date. We also request $500 to support the purchase of orchestral and <br /> choral scores. <br /> Approximately 350 people typically attend our spring concert. Our audience is mostly white, of all <br /> ages (6-80+), and slightly majority female. Although some of our audience members live in the <br /> greater Triangle area and beyond, we primarily serve Chapel Hill–Carrboro and Durham. We <br /> expect to perform for a larger and broader audience with this concert via outreach to cancer <br /> survivors and their families, with the assistance of the two research institutes mentioned above. <br /> In terms of our past programming, our typical audience reach, and the importance of the subject <br /> matter to our community, this concert challenges Women's Voices Chorus. We have committed <br /> significant institutional funds to make it a success, and we would be honored to have the Orange <br /> County Arts Commission's support as well. <br />