2013-526 Arts - The Arts Center for 2013 Fall Art Agreement $1,500

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The history of Chinese acrobatics is often said to date back at least two thousand years. Ancient texts document considerable activity during the Han Dynasty (221 BC - 220 AD). Many of the props that were used by acrobats centuries ago were common everyday items such as chairs, tables, bowls, jars or urns, and plates. These same objects are still in use today along with more modern inventions such as the bicycle. All acrobats in the Chinese system of training must first become proficient in the basics of tumbling, hand balancing and dance. Together these three disciplines are called 'ji ben gong" which loosely translated means "work coming from nothing." A more accurate English rendition of the phrase would be "foundation." It's only after mastering the basics or foundation that students are permitted to specialize and create their own acts. Despite the popularity of acrobatics in China, historically the performances themselves rarely took place in theaters because the art form was looked down on by the "feudal" or ruling class. It wasn't until The Communist Party came to power in 1949 that acrobatics was given new life. As many as 120 acrobatic schools were set up throughout the country and students were selected at a very young age to attend what were considered prestigious training facilities. Tragically, acrobats along with intellectuals, religious leaders and many other talented people were persecuted during the excesses of "The Cultural Revolution,"'_ the worst of which lasted from 1966 until 1969. Schools, universities and monaster- ies were shuttered and many acrobats were sent to the country to plant rice, work in factories or perform other physical labor that was meant to "clean their minds." During this period training still continued but at a much lower level and in secret. In the 1970s acrobatics in China began a rebirth and the 1980s brought a true revolution in the level of training and performance. The Chinese government began to wake up to the fact that there was a lot of money to be made from exporting goods and services. Large troupes of acrobats were sent abroad to perform in Japan, Singapore, Western Europe, The United States, Canada. Today competition for spots in the best acrobatic schools is still considerable, but with the rise of a white-collar class in China, more and more talented people are pursuing university degrees or going into fields that require less vigorous physical training.