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acxoss&e,"Wfial portrait <br /> 1f YOU G with her lingers in sharp <br /> detail grasping epapers <br /> The final element in "Getting�� as if they were:the warp of <br /> the process was a new 6 ° " the loom. <br /> work of art in response Coflalorate on Self Pay cho>sether garden <br /> to that photograph.The Parse"f Frank as the site for her portrait <br /> underlying theme was Gallery,109 E.Franklin which reveals the sitter <br /> to invite a glimpse info St.,Chapel Hill,through pondering the moment, <br /> the multidimensional Jan.5.Hours are 11 chin in hand,with a muted' <br /> internal landscapes of six a.m.to 6 pm.Tuesday, mirror image just behind <br /> seasoned women artists. Wednesday,Friday and surrounded'by symbols <br /> The project only Saturday,11 a m.to 8, from , garden.Ray's <br /> had four months from p m Thursdays;and 1 response is a collage r. <br /> the first photograph pm.to 5 pm.Sundays. of leaves,flowers and <br /> to an exhibition on the For information,call 919- garden insects laid over <br /> walls.Tyroler spent 6364135. and around the original <br /> hours photographing; portrait; <br /> then developing,then TheP�'Of <br /> m pick'-tht image they <br /> meeting with the subjects Bacl►�is off ' <br /> and then finishing her thought was the most „ her,response center, <br /> part while the subjects flattering.She said,`The she used encaustic to <br /> camera always lies so <br /> prepared their responses. eate a history. <br /> Each interaction <br /> why,Oot-I we t3aoose 11 mer ltas begun <br /> represented otte more . ,��,,.� x 4 ` <br /> layer over Analiftage. added <br /> her <br /> Aninlerestingosue plus <br /> arose because all except 1s <br /> one of the artists is over N "` <br /> 50.Most did not want a each <br /> close-up portrait,showuig to m her <br /> their aging;sortie were so stxt o and' <br /> adamant Tyroler blurred ' her ott t eottJr« <br /> the sitter's#ace while <br /> bringing other details into r <br /> r <br /> focus.As a senior herself ;. <br /> she was sympathetic to + of . <br /> their wishes. <br /> The five artists and <br /> their chosen media are Y <br /> Katherine A3rmaeost, and s Me to <br /> 'I�g�' �t <br /> acrylic and oil paint; she�y do a d° '_�'° �. <br /> Peg Bachenheimer, a l�tad n� <br /> encaustic Mirinda wormed v #h th+e <br /> Kossoft metalwork IAM of to her r but was es�luced <br /> Lee ft mixed media he abat t. she saw as <br /> and Anita W)'166n en, as a gihed and the kept; <br /> fabric and paper.In the would love to see her mampulaf'mg the imagos <br /> exhibition space each make a�abstra and one over . <br /> bythis rlo�nted <br /> e crngina ' e`image ° <br /> photograph and her embedded. Armacost was especially <br /> artistic response As for <br /> herseX° ` Iic *" �v ver;vvar f h f e e e it un is in.a <br /> a Polaroid she took of completely blurred and small corner of the gallery <br /> A bridge andtheiiF'the so there is a ghostly .`,fvisitor might <br /> , portrait she made as a presence in the image.,, miss me�thing. <br /> response to that image. with striations.acrose Trro `whoaches <br /> Vhetx the"artists; surface suggestxng:tlte portraiture at duke's <br /> made heir,first step into stings of the l Her Center.fcir f}oetentary <br /> the choosing proceiki ` ,, response was hr att�►ch done <br /> Tyroler encouraged them. vertical paper colt outs Wl ab rative work with <br />