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Agenda - 08-25-1997 - C2
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Agenda - 08-25-1997 - C2
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8/8/2013 9:23:49 AM
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BOCC
Date
8/25/1997
Meeting Type
Public Hearing
Document Type
Agenda
Agenda Item
C2
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Minutes - 19970825
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\Board of County Commissioners\Minutes - Approved\1990's\1997
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JS <br /> the Cedar Grove Township than in any other in the county,with the exception of the densely populated <br /> Chapel Hill vicinity in which the Black population totaled 2,629(U.S.Census 1941, p. 53). <br /> The relatively large 1940s Black population in the Cedar Grove Township was heavily involved in <br /> agriculture. Overall in Orange County there were 503 Black-owned farms and nearly half were located in the <br /> Cedar Grove Township. There were also 267 White-operated farms in the township which was only about <br /> 20%of all White-operated farms in Orange County but nonetheless a significant number. Nearly three- <br /> fourths of the Cedar Grove Township population was described by the 1940 Census as"rural farm. <br /> population." The percentage of Black tenant farmers was higher there than in any other township in Orange <br /> County which listed a county-wide average of 27.2%. The percentage of White tenant farmers in the <br /> township was also high, 57.3%,compared to a county-wide average of 39.3%(U.S.Census 1941, p.53).) <br /> Race relations,however,were relaxed in Cedar Grove and the blatant racism which generally characterized <br /> the South was not evident given that the institutions that were traditionally segregated in the South— <br /> restaurants, public bathrooms,bus depots,and theaters did not exist in the community. Blacks were legally <br /> prevented from attending White schools and social conventions kept the churches and dances segregated; <br /> however, on occasion White and Black musicians gathered at dances. Blacks and Whites also collaborated <br /> on farming efforts and White merchants were willing to extend credit to Blacks(Lomeli 1976,p.47). <br /> This was the social and economic context in which Black musicians were performing secular music in the <br /> Cedar Grove community from the late 1930s until the late 1940s. Fiddles and banjos were the principal <br /> instruments of these musicians. Many musicians from nearby communities traveled to Cedar Grove to <br /> accompany dances known asset dances,square dances,or most commonly,barn dances. Interviews with <br /> senior residents of the community reveal that these dances were occurring as early as the 1880s and as late as <br /> the 1940s(Lomeli interview with Joe Thompson,May 15, 1976 and Graybeal interview with Lois Hughes, <br /> July 10, 1997). <br /> The occurrence of these square dances was related to the agrarian cycle in Cedar Grove. The dances were <br /> held in celebration of the completion of harvesting in the fall and the recreational season was ushered in by a <br /> "corn shucking"dance between mid-October and November. Some dances attracted as many as 75 to 100 <br /> people, many of whom traveled from distant parts of the county and neighboring counties(Lomeli interview <br />
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