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The 10th edition of 10 by 10 in the Triangle I Theater I Independent Weekly Page 2 of 3 <br /> Award-winning director and playwright Jon jory has not only championed <br /> the form of the 10-minute play while he was artistic director at Actors <br /> Theatre of Louisville, he established the Heideman Award, the nation's pre- <br /> eminent 10-minute playwriting competition, in 1989, as a part of that <br /> theater's prestigious Humana Festival. <br /> jory has written that 10-minute plays tend to "illuminate moments of <br /> profound change and realization," plumbing the very center of relationships, <br /> issues and characters. Calling them "the haiku of the theatre,"jory has noted <br /> they "can tell a story that 40 minutes or two hours would have ruined, and <br /> we've all gotten stuck with thatguy at a party." <br /> Thus, we would have to recognize Trace Crawford's The Sum of Your <br /> Experience, Tom Swift's The Beginning, Guadalupe Flores' The Coyote <br /> Strategem and .John Paul Middlesworth's Exit Rightas plays that suddenly <br /> immerse us in their characters' worlds, situations and crises. We're then <br /> taken on a journey that feels complete as it follows those characters through <br /> transformative changes. <br /> But why does a .400 average deserve critical accolades? Because another <br /> four scripts in this mix of 10 one-acts fully measure up as superior sketch <br /> comedy—which, come to think of it, isn't the easiest of theatrical goals to <br /> achieve. If Ian Finley's Suspense (which Bare Theatre produced in February of <br /> this year), Justin Warner's Ghost Lite, Tom Deiker's Dating 107 and Eddie <br /> Zipperer's Weight of the World seemed less interested in exploring new <br /> dramatic territory than simply making us laugh, the ongoing vocalized glee <br /> in the near-capacity audience on opening night indicated their triumph at <br /> doing just that. <br /> Indeed, the contribution to the evening's success by this other gang of four <br /> begs the question: Is anyone in the region regularly producing scripted <br /> sketch comedy?judging by the audience's response, there appears to be a <br /> greater appetite for it than a single show per year like 70 by 70 could hope <br /> to satisfy. <br /> Under Sylvia Mallory's direction, actors Chris Chiron and Brook North made <br /> The Sum of Your Experience, a mean-streets shakedown for something <br /> other than a character's money, a taut thrill ride, even if its velocity at points <br /> challenged our ability to understand the dialogue. <br /> The Beginning and The Coyote Strategem made an interesting pair of <br /> theatrical bookends. One concerns the beginning of a relationship, the other <br /> an end. Both depict same-sex couples and benefit from discerning scripting <br /> and direction, and robust acting. <br /> In The Coyote Strategem, director Leslie Cloninger helped actors Kelsey <br /> Didion and Page Purgar define opposing poles—and still find generous, <br /> humane laughter—in their characters' breakup. As directed by Meredith <br /> Sause, J. Alphonse Nicholson and Matt Garner's believable and funny <br /> characters in The Beginning navigated the treacherous currents of their first <br /> http://www.indyweek.com/gyrobase/the-10th-edition-of-l 0-by-10-in-the-triangle/Content?... 7/14/2011 <br />